It’s art, I get that and I am major fan. Yet, I was still kind of surprised this morning when I went to Le Figaro’s front page and saw a rather large, extremely clear photo of The Origins of the World painting by Courbet. Yes, I started my morning looking into the vagina of a stranger (shown below).
Now, I am not a prude. I’ve seen The Vagina Monologues, have a frequent buyer card at Good Vibrations in San Francisco and I am regularly called upon by friends looking for fresh new ideas for tips and tricks in the bedroom. But the painting is graphic and it was what I’d call a rude awakening.
Through my morning fog, I first thought I was staring at a photo set up to look like the painting. The work is definitely a sample of the realism school of art. Fortunately, I didn’t spit out my Prince Vladimir, Kusmi tea in surprise, but rather clicked through to learn more.
It turns out that this internationally acclaimed painting is only half a painting and that the artist originally included a head. Earlier this month, French art expert Jean Jacques Fernier declared the head of the young lady had been found. Or rather, the painting of the head had been found. Not the actual head, which I am not sure is even missing. Unlike Richard III’s, which did pop up rather recently.
According to Le Figaro’s expert, Hubert Duchemin, the entire story is pure nonsense and “even a two year old” could see that the portrait of Jo, the beautiful Irish girl that was Courbet’s muse and Whistler’s lover, did not come off the same brush as the rest of the painting regions. It makes for a great story; 19th century love, sex and porn tied to a potential multi-million€ windfall as two experts fight it out for international prominence.
The question remains, how did Le Figaro decide society was ready to see this photo splashed across the front page? I am not the only one who finds it pornographic. When someone used the painting as his FaceBook profile photo in 2011, the company suspended his account. A book with this image as cover art was not allowed to be displayed in the windows of bookstores in France in 1994, nor in Portugal in 2009. The painting was shown at an exhibit in Paris in 2005, and although the entire room was a collection of sexually graphic sketches and illustrations, this particular painting was in an isolated area you had to go out of your way to enter.
The cover of Paris Match features the same painting, but type covers the most intimate details, making it infinitely less surprising. On one hand, I am all for the open exhibition of anatomy, on the other hand, I know that the allusion can be sexier than the reality and I wonder if seeing penis and vaginas on public display, spread across newsstands may not detract a bit from the magic and the mystery of sex.
I can’t wait to hear what you think….
You should have given us a warning, but I understand, you’re giving us the same startled moment you “enjoyed” when you saw the paper.
I like this painting. I love its dirtiness, its graphic brutality, its mastery of paint but yes, a little warning would have been nice.
And somehow, I’m less offended by what I see than by what I hear. I’d rather see graphic depictions of anatomy than hear the sexual chatter on television that passes for entertainment. And what are the responsibilities we have to minors? That’s a whole ‘nother can of worms.
Yes, I was Joseph, but point taken and I’ve heeded your advice.
I’ll admit that I’m a bit prudish, so I do find it offensive. I’m more offended by the partial painting than by the whole painting, as shown on the cover of Paris Match–perhaps it was the shock of seeing the concentrated image. I want to make it clear, though, that I don’t find all paintings and statues of nude women offensive.
My understanding is that Manet’s Dejeuner sur l’Herbe was shocking in its day and it’s tame in comparison to the Courbet above.
As usual, Sylvia, you are ahead of everyone else. I have bookmarked the Kusmi Tea URL.
I am not sure I have much to say.
I just wonder what the artists intention was. To shock, or to illustrate what he saw as beauty or to express his arousal or awe.
The title ” the origins of life” is a contradiction to the initial obvious sexuality of the picture. and maybe makes you think about it in a different way. ….when I see it that way I can imagine a baby’s head emerging which is always miraculous
As a professional, I see this every day in a different context , very much as the origin of life. So I am not shocked or offended by the nudity and neither do I find it beautiful or particularly attractive, but then I am heterosexual. and a burnt out midwife!!
However I do think it is a very realistic painting, but the head looks like she is unconscious and has no life to it..
Love Denise
His intent is well known as this was a commissioned piece. There is a reason its pornographic, the man collected erotic art!!!
I stumbled on this painting at the Musée d’Orsay. I’m still waiting to see the version with her male counterpart. 😉
moi aussi, moi aussi!!!!
Oops! Should have been stumbled upon. I’m all shook up! LOL.
Laughing out loud!!
I can’t say that I’m terribly shocked that this made the cover of two widely circulated French publications. It’s no secret that their position on nudity in print is extremely different than ours. For example, there’s a huge ad for life insurance near my house and there’s a side angle of a girl running sans souci in a field, her dress is up blowing in the wind and she’s not wearing any panties.
Hey, maybe this will be the return of pubic hair. I stand by the belief that the hair is there for a reason and it’s not meant to be entirely ripped off!